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Eric Holm

by Eric Holm

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1.
Wakin' up cozy in the arms of my girlfriend Body's happy and my heart's so full Make a little breakfast for my Love and her husband He's a poet and an intellectual Slicin’ onions for my partner and her partner Crackin’ eggshells and grindin’ beans Wouldn’t wanna change her, wanna show her how I love her So when I bring her coffee cup she’s knows what it means I couldn't know the ways we'd get connected I know it's not what my folks were thinkin' of And you may feel ya gotta be what is expected But ya gotta Tell the truth and shame the devil with your love Mornin' trio, in the early city sunlight Sittin' by the window, gazin' at the sky Gettin' so peaceful, as I sit with somethin' so right Get a little coffee buzz with my love and pride I couldn't know the ways we'd get connected I know it's not what my folks were thinkin' of And you may feel ya gotta be what is expected But ya gotta Tell the truth and shame the devil with your love
2.
Well Willie quit drinkin’ That shit made him crazy He’d pawn his guitar And get wasted and lazy Ol’ Willie’d get violent And then catch a beatin’ Thank Goddess that chapter Of drinkin’ was fleetin’ He decided the green stuff Could win on the merit Cocaine sped his ego And cigs killed his parents So to learn from the Stranger How to while away the hour Gonna party like Willie, Put my flame to the flower Well Gram changed my journey Redirected my pilot No need to hurry Slow drive in the quiet A song for your Grama A song a’ wild careenin’ Thank Goddess these borders Have a-limited meanin’ But I’m sorry to say it And still it’s heartbreakin’ The bottle and the needle Stole the sound he was makin’ And it’s a hard thing to know But I am what I am Gonna party like Willie Blow kisses to Gram Love you Gram! Well it’s good for the writer The painter, the dancer It’s good for my Dad In a fight against cancer Gonna bike my canal In my New Amsterdam Gonna party like Willie Blow kisses to Gram Yeah party like Willie Blow kisses to Gram
3.
My Daddy’s Dad he caught a ride On a ‘Magic Carpet Ship’ Rode home in 1945 With a bullet in his hip He woulda followed Eisenhower to the belly of the sun Fought a nasty conflict with the bottle, another war he won He never liked to talk a lot About the things he saw But he hated nazis even more Than he loved Omaha I’m sorta glad he’s not around To see ‘em rise from the underground Good God his anger woulda been profound To see the soul of his Party gettin’ dead and drowned Go from something good to something Oh So Bad Grampa woulda been so mad Gramps woulda been so mad My Mama’s brother had real long hair And he smoked that silly stuff And even though he felt that it wasn’t fair Well his number wasn’t high enough His hair was short and his heart was scared when he landed in Saigon And in the end he lost a leg, but he found his best friend John They never liked to talk a lot About the things they saw But John and Jacob loved to laugh About basic in Louisiana Well John passed on by his own hand And now Jacob has a hard time understanding ‘They said our dumb war was to take a stand Keep a Russian dictatorship from expanding Now the new boss loves the new Russian lunatic Good God it woulda made John sick God it woulda made John sick Well good ol’ Kate she was my prom date But she never was more than a friend She went for ROTC at State I studied art at the U of M Something changed in both of our brains on the day the towers fell And war gave us different kinds of urgency, ringing out like a bell She never liked to talk a lot About the things she saw But one drunk night she opened up About the Battle of Baqubah It sure is hard to overstate How it broke my heart to hear how she hated The new people coming into our state And the border wall that she advocated And it made me think ‘What has happened to my friend? And how is this gonna end? How is it gonna end? And one day if you say you gotta punch a nazi Good God I hope you do, But they say there’s a beast in everyone I hope you learn to sooth her too What are we gonna do? What are we gonna do?
4.
This is a song about a young teacher A homeless guy roaming the land A Jewish subversive, outlaw preacher A writer whose stories were Radical I’m bringing this up to awake and remind us They’re using this hippie to beat us So let me sing loud and let me sing clear You can’t keep Dolly and you don’t own Jesus He sure wasn’t white, he sure wasn’t hateful He knew how to handle his fear His healthcare was free, his essence was grateful His giving was never austere My teacher’s been hijacked by bigots and assholes By grifters and posers and the KKK Afraid of the queers and afraid of the border But we shall overcome some day He didn’t have much just some bread and some fishes And friendship and stories and wine And everyone ate and it was delicious But pretty punk rock at the time ‘Cause he was reforming his old time religion Saying ‘Radical Kindness can free us.’ Inviting the outlaws, inviting the ladies You can’t keep Dolly and you don’t own Jesus You know they twisted his words Cut books from the bible They fought the crusades in his name He would have been pissed And overturned tables He fought against money and judgement and shame He fought against violence and status and blame He fought for the crazy and the sick and the lame And if you came to dinner no matter your name He wash off your feet, say ‘I’m glad that you came.’ You can’t keep Dolly, you don’t own Jesus So come to the water, Muslims and homos Have some bread and fish and wine Come to the water, trans folk and pilgrims If you’re broke or broken or wealthy or fine If you’ve got a body than you are invited Don’t listen to trolls who won’t give you time When fascists-in-training say your life is a crime You can’t keep Emmylou or old Steve Earle You can’t keep Willie or Waylon or Merle You can’t keep Dolly and you don’t own Jesus
5.
She was six or seven And wanna watch the dancin’ on TV She knew her Mom didn’t like Ellen But dancin’ was somethin’ she wanted to see The dancin’ was somethin’ she had to see The summer he turned thirteen The minute his folks’d walk out the door He’d cuddle his dog, wear his Mom’s red shoes and say We’re not in Kansas anymore We’re not in Kansas anymore You may feel alone but I swear it’s not the case You can make it through I’m talkin’ to you Queer Kids in Red States Comin’ ta end their senior year They weren’t a girl they weren’t a boy To learn of thing called genderqueer Well it spiked their senior year with joy It filled their queer little heart with joy Won’t ya listen to Uncle Dan It can get better I know that it can Don’t ya quit you can make it right If ya learn to breathe or learn to leave Or learn how to stay and fight He came out at seventy Retirin’ from the university He didn’t know what would come to be But I’d never seen him so young and free I’d never seen him so young and free You may feel alone but I swear it’s not the case You can make it through I’m talkin’ to you Queer Kids in Red States
6.
August is Tomato Christmas It is the hap hap happiest season of all August is Tomato Christmas A little bit of heaven before the Fall And in the morning, I am awakened By that bright tangerine on the water and sky The birds are fishing, the fish are jumping And the corn's as high as an elephant's eye August is Tomato Christmas It is the hap hap happiest season of all August is Tomato Christmas A little bit of heaven before the Fall And when the chills come, that taste of Autumn Oh the Summer's ripe in the face of its death And all the spirits of the departed Carry our boat over the lake with the force of their breath August, she will come again The hummingbirds will hum again Oh August, let me kiss you 'Cause oh my God I'll miss you August, die she must. First you pick one, and then you slice one, And then you salt and pepper and savor a bite And then you taste one, and then feel grateful For all the earth and air and the rain and the light With August coming to her rest Soon they’ll drink Octoberfest And the Dead live in the wind And the book's more ripe as it nears the end The book's more ripe as it nears the end. August, die she must
7.
An old folks physician, a small town doc She gathered the family to talk She said ‘I’m sorry to say it, But I’m sworn not to lie: ‘Your father is gonna die.’ Well it must be a comfort When you tell a hard truth To know it’s the thing you must do Like a good pair ‘a headlights On a long country road A person has gotta have a code A DC reporter on a mid-night call She learns who is takin’ the fall And if they learn who her source is He’s out of a job Not to mention the Russian mob When they’re angry and desperate And threatening you It’s damn good to know what to do Like a good pair ‘a headlights On a long country road A person has gotta have a code Well it’s sorrowful strange And it sure isn’t funny That some people’s codes Are just ego and money I think it must feel like a forest at night Getting lost in the woods with no light She walks into her courtroom And everyone stands The choosing is in her good hands She says I made my decision Come to what I must say And I’m halting this action today Well I find it a comfort In this frightening age Different codes seem to find The same page Like a good pair of headlights On a long country road A person has gotta have a code Yeah A person has gotta have a code
8.
First-born of this American Republic Son of this American Dream I hope it’s not the first time you’ve heard this But Country isn’t what it seems This land is yours, this land is my land We’ve all inherited the past I hope it’s not the first time you’ve heard this The way it is ain’t built to last I take my American music cosmic God knows these American sins run deep I just want some truth and reconciliation For this blood-stained bounty we’ve got but we can’t keep All you need to write a great county song Three chords and a little honesty I think that they were trying to write a great country On a violence they didn’t want to see I take my American music cosmic Can’t wish these American sins away I just want some truth and reconciliation For this land and labor my ancestors stole And handed along to me We’re funded by injustice still today The thing I want from country music Is what I want from my country We’ve gotta find a way to talk through The fear of our complicity It’s why we fetishize forgiveness Because we’ve got a lot to bear Just want some truth and reconciliation For this land of hope and violence and despair Just want some truth and reconciliation For this land of hope and violence and despair
9.
There's a way a body breaks down When y’ learn a love ain't gonna last Even as a body melts into the floor This too shall pass War is over if you want it Hope is dark and deep and vast And it's frightening how powerful we are This too shall pass There's a day that's bright and perfect Your love is lying in the sun And we're all gonna die but nothing passes away Love won't be undone System’s bloodied up and broken It's a-headin' for a crash That's a threat but honey it's a promise too This too shall pass Remember Time, it ain't a straight line More like a shattered looking-glass And the Love we made is never really gone Time don't work like that There's a day that's bright and perfect Your love is lying in the grass And the universe is humming along This too shall pass And a circle has no ending So you never make it home But yer' perfect day is still alive somewhere And you are not alone Yeah that perfect day is still alive somewhere And you are not alone
10.
I’m a horizon line guy Take a look in the distance The endless sky I grew up on the prairie So yer quiet won’t scare me Or make me shy Please don’t fence me in Goodbye what might-a been Again, and again We make ourselves fine My thanks, horizon line That line — she’s a vision so ancient We’re so young on the planet It’s humbling me Goddess, may this little blue spaceship Make it through ‘til the mountains Shall crumble to the sea Please don’t fence me in Ol’ Blue she’s still in spin Again, and again We make ourselves fine My thanks, horizon line

about

Eric Holm grew up in South Dakota and country music was too close for comfort. He liked city-people stuff like show-tunes & punk rock. But after the election of ’16 (that heartbreaker), he quit cutting his hair, picked up his guitar, and wrote ‘Dolly & Jesus.’

He makes radical queer country music — a love song about polyamory sits alongside a story-song about the sad, slow decline of the Republican Party. Holm writes about maintaining ethical codes in a frightening age, the way the right-wing has coopted Jesus for nefarious purposes, the need for an American truth & reconciliation movement, and queer kids in red states. With a brilliant group of music-makers, he recorded the ten original songs at John Epperly’s studio in Brooklyn, Metropolitan Sound.

Inspired by Willie Nelson, Kacey Musgraves, Orville Peck, Gram Parsons, Dolly Parton, Woody Guthrie, Pete Seeger, Emmylou Harris, Sturgill Simpson, Colter Wall, Tyler Childers, Brandi Carlile, The Byrds, The Band, and Joni Mitchell.

credits

released August 29, 2019

Lead Guitar - Andrew Lynch
Pedal Steel Guitar - Jonny Lam
Bass Guitar/Vocals - Max Newland
Drums - Justin Greville
Vocals - Nicole Ketchledge
Vocals - Elizabeth May
Vocals/Guitars - Eric Holm
Guitars/Percussion - John Epperly

Songs by Eric Holm
Produced by John Epperly at Metropolitan Sound in Brooklyn, NY
Album Art by Eileen Hall Binkley

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Eric Holm Houston, Texas

radical queer country music // Houston via South Dakota // music for very young people as Teacher Eric // inventor of Tomato Christmas

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